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Showing posts with label motor morons. Show all posts
Showing posts with label motor morons. Show all posts

Sunday, January 21, 2018

The Monuments/Judie's Fixation return from the '80s @ Raven Inn



The Monuments/Judie's Fixation/Fuzz Unlimited
Saturday, January 20, 2018
Raven Inn, 8636 Loch Raven Blvd

Fans of these legendary bands called the 1980s (first tried to text but no answer) and demanded The Monuments and Judies back, and were rewarded with a delightful playlist of classic Rock, R&B & Motown covers. (We didn't stay for Fuzz Unlimited - all apologies! - as I had to work the next day.) 'Twas a fun, fun, fun night! And great to see old friends who lost their Marbles at the Congress Hotel - Katatonix Adolf Kowalski Charles Gatewood and Ed Linton, the Rockin' Robins Robin Linton and Robyn Webb, Coffin Cutie Mike HearseRon DeNunzioCraig Stinchcomb, Gayle & Michael Maxwell, Marty & Leslie Fuquinay MillerPatti Codd (whose Biscoff cookie white fudge platter was the hit of the bar food on offer!), Keith WorzJenny BeetzScott Pendleton, Darla "Jean" GermanSandels Hogg Morrow and ace photographer Jim Moon (who has taken more great pics of the Monuments than anybody!) - turn out to support Lumpy & Cindy Borchardt and Co.! 



First up...the monumental return of The Monuments at the Raven Inn!

The Monuments got things rockin' right away


Cindy Borchardt and Lumpy








Monuments guitarist Russell Stone

I never knew any musicians in The Monuments other than Cindy and Lumpy. For the record, the rest of tonight's band was comprised of drummer Greg Phillips, lead guitarist Russell Stone and erstwhile Judie's Fixation bassist Jay Turner.

And, yes, that was "Lumpy," (aka "Brian Jones," aka William Sutherland), playing the beautiful ax he made while working at Paul Reed Smith, with exquisite paint job courtesy of Betsy Green! 


Lumpy rocks his custom-made Paul Reed Smith guitar

The Monuments always played - and will continue to play - classic '60s and '70s rock, garage and R&B gems because the tunes they fine-tune are, well, timeless classics! (That's why they call it classic rock, folks!) Below is a typical setlist...




...I can't recall every song they played this night, but the Supremes and Stones and Rufus Thomas were definitely there in the mix, as well as "Rockin' Robin" ("Thankfully not dedicated to me," said Robin Linton, who as a Robin has heard a lifetime of references to the 1958 Bobby Day hit) and a highlight was the smokin' twin-guitar jam-out between Russell and Lumpy on the Stones' "Rocks Off."




The Monuments' set closer was "Stop in the Name of Love," to which I would reply: "In the name of your fans' love, don't stop, Monuments!"



Next up...the decidedly fixated return of Judie's Fixation (or FUXation, as Amy Warner says) at Raven Inn! The last Judie's reunion I can remember was in 1983 at the Marble Bar (as shown on the flyer below), following their first reign from 1978-1980.

Judie's Fixation Marble Bar reunion, 1983

The boys were back in town - William SutherlandCraig Stinchcomb (aka "Dick Goesinya" and "Jacques Strap") and Henry Cross - and while legendary frontman Vaughn Keith (1950-1990, R.I.P.)'s shoes are a big void to fill, I think it's fitting that effervescently cool Cindy Borchardt, pulling double-duty after opening with The Monuments, filled them on the 1st anniversary of The Women's March (how's that for timing?).


Girl Power: Cindy Borchardt fronts Judie's Fixation

Drummer Craig Stinchcomb absorbs the glow of "Kryptonite" (photo by Patti Codd)

Cindy would like to get together in "Severe Weather"




Oh, Henry! The return of Judies bassist Henry Cross!



"Long Tall Sally met J-Judy in the alley..."

There were a number of different Judies members over the years - besides the dearly missed, charismatic frontman Vaughn Keith (aka “Ben Wah”), their ranks included original guitarist Bill Smith ("Bill Bored," who was replaced by original bassist Lumpy), bassists Wayne Murphy (G.C. Murphy) and Jay Turner, and lead guitarist Tim Campbell (aka "Fido Fetch" and "Phideaux Phelch," and also an ertswhile Monuments guitarist) - but tonight's lineup (sans Vaughn Keith, obviously) was the one I remembered best.

It was a great set, visually highlighted by fanboy Keith Worz's inimitable dancing prowess (earning him a "Martyr Me" dedication!)...

Keith Worz, sweatin' to the oldies!










Seeing Keith pump his fist in the air and implore the band on reminded me of his passion for the punk bands of the Marble Age. And, of course, the unique dancing style. I remembered a 1980 Katatonix gig in Annapolis where his frenetic pogo dancing so impressed a local music critic that he got singled out in a newspaper review for resembling "a New Wave Jerry Lewis, the clumsy Jerry Lewis character who was always falling over something in the movies. He danced in jerky movements, as if he was plugged into a Mix Master going full bore." (Keith's shout-out in the July 24, 1980 Arundel Living Sun is shown below.) 

Keith Worz's dancing was highlighted in an early Katatonix music review

Musically, the set was highlighted by such standards as "Severe Weather" (dedicated to Rockin' Robin Linton, a former Marble Bar bartender)...





..."Chinga," "Martyr Me," "Kryptonite" and signature crowd singalong "Judy in the Alley"...





Three of the nine songs in their set were covers - "Mr. Cool" (by the post-New York Doll, pre-W.A.S.P. Arthur Kane and his Killer Kane Band), Barry McGuire's "Eve of Destruction" (never more relevant than today with Trump and Kim Jung Un talking smack over who has the biggest nukes button!), and Bobby Fuller's "I Fought the Law" - which is probably to be expected when you reform and start playing again after more than 35 years apart.

I only wish they had dusted off their cover of Arthur Conley "Sweet Soul Music," wherein Vaughan changed the lyrics to name-check other Marble Bar punk bands of the time: “Do you like good music? (Yeah Yeah)/Like Da Moronics? (Yeah Yeah)/And Thee Katatonix? (Yeah Yeah).” But then, perhaps that was too moribund a reminder that those bands too had disappeared over the years.


Regardless, tonight's performance brought back fond memories of glory days at the glory hole we called The Marble Bar, where the Judies ruled the roost and everyone's marbles tended to get tossed!

After their set, Lumpy thanked everyone in the audience for showing up and sent a special shout-out to Adolf Kowalski (who did an admirable job holding up the bar next door all night), who is financing a long-awaited Judie's Fixation CD! To date, only "Martyr Me" has ever been released, and that only on the extremely rare (and vinyl-only) 1978 Limp Records compilation :30 Over DC - Here Comes the New Wave!. (Curiously enough, the same recording of "Martyr Me" also turns up on the CD-R compilation Hyped To Death #22: US and Canadian LP Punk, R-to-Z - begging the question, where exactly does J fall under R-through-Z in the alphabet? Whatever!) Other than that, there are only a smattering of live songs recorded on what drummer Craig Stinchcomb described as a "crappy cassette recorder and its equally crappy microphone" by their former manager Frank "Big C" Yates (who passed away on June 25, 2014); these raw recordings were later digitally salvaged by bassist Henry Cross and uploaded to Soundcloud. (See "The Judie's Fixation Tapes" at baltimoreorless.com for details.)



So the Judies will be martyred no more - they will have an official CD release sometime in the near future! On the Marble Bar Facebook group page, Adolf added, "Thee Katz [Katatonix] are CONSIDERING doing one last show before we all die...probably open at the Judies CD party...stay tuned."

The Boys Are Back in Town: Lumpy, Henry and Craig

In the meantime, Lumpy will continue to pluck his upright bass playing bluegrass-flavored classics from the Great American Folk Songbook with Darla Jean & The Somethin' or Others, while Craig Stinchcomb will hopefully still motor on with The Motor Morons (too bad we missed his Motor Moron bandmate, the irrepressibly perky "Blade," playing keyboards with Fuzz Unlimited tonight!)

Finally, below are snapshots of the Monuments and the Judies at their prime in the early '80s. 35 years later, time has still not dimmed the glory of their deeds!

Monuments circa 1983 (photo by Jim Moon)

Judie's Fixation circa 1983 (photo by Colin P. Varga)

Related Links:
The Judie's Fixation Tapes (Baltimore Or Less)
Tim Campbell's Judie's Fixation page (Richardtaylor.tv)
The Monuments (Facebook)
Judies Fixation Monuments Motor Morons (Facebook)


Tuesday, August 2, 2011

2011 Natty Boh Film Festival


Saturday, July 30 2011 @ Fraziers on the Avenue
919 W. 36th Street, Baltimore, MD. (410) 662-4914
fraziersonthe avenue.com

The inaugural 2011 Natty Boh Film Festival was held this past Saturday night at Fraziers on The Avenue in Hampden and featured 16mm prints of vintage Natty Boh commercials (courtesy of Sam Fitzsimmons) - not to mention some Natty Boh DVD rarities from Atomic TV and the excellent documentary Mr. Boh's Brewery by Alex Castro, Harry Connelly and Lyle Hein - as well as live music about Natty Boh (and other quality-of-life essentials in the Land of Pleasant Living) by The Motor Morons, TT Tucker, The Beatoes (a special reunion for the former Baltimore eccentrics whose leader Chris Dennstaedt now resides up I-95 in Philadelphia), Mongolodian Glow, and some related songs by guest artists (at least I suppose so - I wasn't able to hang around for the full night's festivities because my girlfriend Amy had to get up at 5 in the morning for work!).



Although many troubadours took the stage on this night, I didn't hear anybody sing my favorite vintage jingle, the one once belted out in a Boh ad by a cartoon Lord Baltimore: “National Beer, National Beer, you’ll like the taste of National beer.” Though most people associate National Bohemian with the one-eyed Mr. Boh, there was a whole cast of characters in the Land of Pleasant Living and they were all given a shout-out in this song: “There’s Chincoteague oysters and crabs and clams, and fried chicken and Virginia hams, and while we’re singing, we’re proud to say, it’s brewed on the shores of the Chesapeake Bay.”

Likewise there was quite a cast of local characters on hand for the evening's festivities because in the Land of Pleasant Living and National Beer, "good things happen when you put the two together." I spotted Skizz Cyzyk, Bob Wagner, Teresa Dugan, Liz Abeth, John Ellsberry and even Ellsberry's erstwhile Dork Brothers (and former City Paper and New York Press art director) pal Michael Gentile, who was back in town from NYC for the occasion.


DORK BROS: John Ellsberry and Michael Gentile

But before the films came the tunes...

Down the Beatoe Path: Chris D. Returns to Charm City


The Beatoes open their tab at the Natty Boh Film Festival

First up were The Beatoes, featuring Chris Dennstaedt (Poverty & Spit) on guitar and vocals...


Chris Dennstaedt

...Charleigh Chadwick (The Livers, Pornflakes) on guitar...


Charleigh sez: "Love my Good 'n' Plenty!"

...Chris "Batworth" Ciattei (Go Pills, etc.) on drums and Mike Kiker (of Philly's St. James and the Apostles) on bass.

I really liked Chris D.'s t-shirt that said "Big Man Music," a reference to his dearly departed friend (and former Beatoe) Mark Harp (Mark "Harpo" Linthicum); my girlfriend Amy Linthicum (Mark Harp's former wife) certainly got a "big" kick out of it as well!


Big Man musician Chris and little music lover Amy

It was the first of two shout-outs this night to The King of Peru (who passed away before his time in 2004), as Sam Fitzsimmons ended his Motor Morons set by crying out his name and holding up Mark's guitar. It made sense on this night of remembrance of good things past, for Harp was every bit a part of Baltimore lore and legend as Mr. Boh (whose namesake libation is now brewed out of town by Pabst).

The Beatoes opened with "Beer Drinkin' Woman," an obvious homage to Mrs. Boh, aka "Natalie Boh" (doh! - if only Amy had remembered to wear her Natalie Boh t-shirt this night!).


Mrs. Boh: Beer Drinkin' Woman

Watch the Beatoes play "Beer Drinkin' Woman."


Next up was "Polyester" and "12-Bar Blooze" and probably some other tunes I should know (but the sound mix at Fraziers was a little, how should I say, funky?).

Watch the Beatoes play "Polyester" and "12-Bar Blooze."


Anyway, following are some Beatoes pix I took before running to the back bar for a Boh (oddly priced at $2.20 a can - obviously feeling the effect of the new city beverage tax hike). Oh, I also made a quick stop in the Men's Room, where I had to agree with this thought-provoking graffiti:



OK, back to the Beatoes...


"Hey Charleigh, how do ya hold this stringy thing???"


"Like this???"


"How about like this???"


"I see...ya lift it upright like this!" Chris D. says as a disgusted Charleigh Chadwick turns his back on him


"I see - you sling this thing over your hips!"


"Got it! Under control now! Ready to rock!"


"I'm so happy to be here, I'm glowing!" Chris effuses.


"Is it just me, or did someone turn on the infra-red light? We really must be cooking tonight!"

On with the Boh Show

And now for a word from our sponsors...



After the Beatoes finished their set and broke down their gear, a big screen was set up and the film screening started. Although there were some technical difficulties with the 16mm films that came from Motor Morons bassist Sam Fitzsimmons' private collection (the projectors were provided by Hampden's own audio-visual specialists, the Falkenhan's Audio Visual Service over on 34th and Chestnut Avenue), everyone enjoyed the vintage National Bohemian commercials that were screened.


The Fraziers crowd is mesmerized by the Natty Boh films


"Hey, we're turning black and white like these Natty Boh ads!" Skizz observes, while Amy quips "In that case, I hope Liz and I turn into animated dancing clam shells - though I'd be tempted to eat myself!"

As a backup, someone called former Senator Theatre owner (and current candidate for Baltimore City Council President) Tom Kiefaber to give a hand with the the screening, and Tom brought along a DVD of ads taken from the Atomic TV public access television show's "Atomic Cocktail Hours" episode as well as from the Mr. Boh's Brewery documentary - some of which I had never seen (like the French chef cartoon with Frenchy serving Mr Boh the "wet, cold and delicious" brew from the shores of the Chesapeake Bay, a Preakness Stakes Boh ad, and the dancing clamshells of Maryland's capital, "Clamapolis"!).























I hope the Natty Boh documentary becomes available soon on DVD, because it promises to be chock-full of "extra feature" goodies like these vintage ads (the film transfers look beautiful!). Until then, this Atomic TV sampler will have to suffice:



Watch ATV's "Classic Natty Boh TV Commercials."


The Motor Morons

Next up were The Motor Morons - Jeff Bridges lookalike Sam Fitzsimmons on bass and vocals, "Wild Bill" Hagy lookalike Craig Stitchcombe (Judie's Fixation) on the skins, TT Tucker (Tom DiVenti, whose Baltimoronic pedigree goes back to late '70s punk rockers Da Moronics) on the guitar, Fred Collins on machines and vocals, Blade on vox and firestarter device (?) - who took to the stage in pitch darkness, all the better for the sparks to (literally) fly during their incendiary metallic K.O. set! Though the Morons have played just about every venue in Charm City over their long existence, I've most associated them with the annual SoWeBo Festival, where they've been absent the last several years; so it was good to see them back in a setting where their genius was once again fully appreciated.


Motor Morons make merry metallic music mayhem!

The Morons opened with "Another Girl."

Watch Motor Morons play "All You Want Is Another Girl."


I'm not as adept as Amy when it comes to discerning which Motor Moron song is which, but I'm pretty sure I heard "Urinal Cakes" and "No Brakes" in there, and probably "Big Truck."

Watch Motor Morons make more music mayhem.


Following are some Motor Moron pix I took.























Unfortunately, the Morons set was the last tune-age we would hear for the evening, as Amy had to get up early the next morning. But I'm glad Amy was there to hear Sam Fitzsimmons bid adieu to former Motor Moron Mark Harp (circa 1998-2004), holding up Harpo's 4-string guitar as he shouted "Mark Harp!"

Watch Motor Morons say goodnight @ Fraziers.


On the way out, we ran into Amy's friend Robyn Webb, who was playing pool in the adjacent room. We exchanged chit-chat about spotted dick and mushy pees - er, peas - since we all love British pub food (though Amy and I didn't discover spotted dick until we "spotted" it next to a packet of Asian "Cock Soup" in the Dundalk Giant's International food isle).


A blurry Robyn Webb and Amy Linthicum say goodnight as my camera battery runs out

What a fun night! But I have a question for the folks at Fraziers: since former milltown Hampden is becoming increasingly upscale and well-heeled, can we expect a National Premium Film Festival anytime soon? It was the "classy" beer of choice in this town for many years. Expensive? Yes. Extravagant? No.

Related Links:
Natty Boh Film Festival set on Flickr
Natty Boh Documentary
"Boh & Utz: A Love Story" (Smythe ad)
Atomic TV's "Classic Natty Boh Commercials"